Transformers One Review:Maybe ten minutes into Transformers One, the computer-animated prequel to the entire existing saga of Hasbro’s robots in disguise, Scarlett Johansson’s focused mining manager Elita says to Chris Hemsworth’s idealistic worker Orion Pax, “You don’t have the touch or the power.” It’s a clunky, forced reference to a cheesy power ballad from the original 1986 animated Transformers movie, and it seemed like a bad sign that Transformers One was going to be the kind of film more concerned with winking bits of fan service than with telling a compelling story of its own. Thankfully, however, while it’s ultimately uneven and lacking the inventiveness or visual splendor it would have needed to be truly great, T1 manages to have more smarts and depth than it first lets on. It could serve as a setup for better films to follow, now that all the “origin story” table setting is out of the way. And make no mistake, this is an origin story top to bottom, and we know how it’s going to end even before it starts. Chris Hemsworth’s character may be called Orion Pax by everyone around him, but we know from the moment we first see him, already sporting that iconic blue and red, that he will be Optimus Prime before all is said and done. This is a movie that, you might say, exists in the context of all that came before it, so your own investment in Transformers will inevitably color your experience. For my part, I was already of moviegoing age when that 1986 cartoon hit theaters, and if the late, great James Earl Jones’ incredible performance as Darth Vader defined malice and evil for me as a child, Peter Cullen’s work as Optimus Prime defined goodness and virtue just as much. In his acting, he conveyed so much: warmth, compassion, decency, thoughtfulness, a concern with the greater good, a reluctant willingness to sacrifice if that’s what was necessary to do what was right.